Concrete Utopia
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- Regista
- Um Tae-hwa
- Sceneggiatori
- Lee Sin-ji, Um Tae-hwa
- Protagonisti
- Lee Byung-hun, Park Seo-jun, Park Bo-young
- Genere
- Thriller, Action
Trama
The world has been reduced to rubble by a massive earthquake. While no one knows for sure how far the ruins stretch, or what the cause of the earthquake may be, in the heart of Seoul there is only one apartment building left standing. It is called Hwang Gung Apartments. As time passes, outsiders start coming in to Hwang Gung Apartments trying to escape the extreme cold. Before long, the apartment residents are unable to cope with the increasing numbers. Feeling a threat to their very survival, the residents enact a special measure.
- Slogan
- We believe we are chosen.
- Genere
- Thriller, Action
- Studi
- Climax Studios, BH Entertainment
- Released
- 2023
- Lingue
- Coreano
- Paesi
- South Korea
Sul web
Lee Byung-hun
Yeong-tak
Park Seo-jun
Min-seong
Park Bo-young
Myeong-hwa
Kim Sun-young
Geum-ae
Kim Do-yoon
Do-gyun
Park Ji-hu
Hye-won
Kim Hak-sun
Assemblyman
Gong Min-jeung
Hyo-jin
Um Tae-goo
Homeless 1
Jung Young-ki
Homeless 2
Oh Hee-jun
Homeless 3
Kim Joon-bae
Homeless 4
Lee Seo-hwan
Chief Park
Kang Ae-sim
Young-tak's Mother
Lee Hyo-je
Ji-hyeok
Kim Shi-un
Jung-woo
Kim Byeong-soon
Janitor
Lee Sun-hee
Ju-mong's Mother
Kwon Eun-seong
Ju-mong
Kwak Ja-hyung
Mr. Wang
Recensioni
1 recensioneWhen everything falls apart, it’s hard to know what will happen, especially in relations between survivors. Will mankind pull together to promote the uncertain continuation of the species, or is it a case of every man for himself? In this South Korean disaster film about what happens when a massive (and unexplained, not to mention highly improbable) earthquake destroys all of Seoul (and beyond apparently), except for one high-rise apartment building whose residents must decide whether to save only themselves or attempt to help displaced outsiders, despite a crucial lack of resources. What follows is essentially an apocalyptic retelling of The Lord of the Flies, with occasional back story flashes in the vein of television’s Lost. However, the film’s modestly engaging psychological thriller aspects aside, much of the narrative consists of a string of predictable (and not especially original) episodic incidents, most of which consist of various factions battling one another to become the prevailing alpha dogs. It’s not something we haven’t already seen many times before. What’s more, there’s precious little in the script to make viewers want to care about these people, primarily because of its tepid character development and an overreliance on recurring conflict (yawn). Add to that obvious and heavy-handed stabs at metaphorical geopolitical symbolism, erratic shifts in overall tone (particularly in the film’s first half), and a handful of feeble attempts at comic relief, and you’ve got a picture in need of serious retooling. It’s indeed puzzling to see the many accolades that have been so generously lavished on writer-director Tae-hwa Eom’s third feature outing in light of the project’s pervasive failings. But, beyond its imposing special effects and an impressive production design, there’s not much here to write home about. Wait for this one to come to home media if you’re really interested in sitting through this overlong slog.
Valutazione
6.9
Votes
315
Popularity
5
Photos
Stills & key art from the movie
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