Santosh
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- Regista
- Sandhya Suri
- Sceneggiatori
- Sandhya Suri
- Protagonisti
- Shahana Goswami, Sunita Rajwar, Naval Shukla
- Genere
- Drama, Thriller, Crime
Trama
A government scheme sees newly widowed Santosh inherit her husband’s job as a police constable in the rural badlands of Northern India. When a low-caste girl is found raped and murdered, she is pulled into the investigation under the wing of charismatic feminist inspector Sharma.
- Slogan
- Nothing is more dangerous than following orders.
- Genere
- Drama, Thriller, Crime
- Studi
- Good Chaos, Suitable Pictures, Razor Film Produktion, Haut et Court
- Released
- 2024
- Lingue
- Francese
- Paesi
- India· United Kingdom· Germany· France
Sul web
Shahana Goswami
Constable Santosh Saini
Sunita Rajwar
Inspector Sharma
Naval Shukla
Inspector Thakur
Sanjay Bishnoi
Beniwal
Shashi Beniwal
Constable Kohli
Prashant Kumar
Inspector Mundi
Pratibha Awasthi
Priya
Manjul Azad
Head Constable Yadav
Anamika Gupta
Constable Bimla
Kuldeep Saini
Constable Aravind
Vipin Agarwal
Constable Pandey
Soumya Singh
Mess Constable
Deepak Sonkar
Nehrat Constable #1
Anjani Srivastava
Nehrat Constable #2
Sujeet Singh Yadav
Nehrat Constable #3
Arpit Kumar Mishra
Nehrat Constable #4
Gotendra Yadav
Additional Constable #1
Abhay Bachpaye
Additional Constable #2
Jitendra Singh
Additional Constable #3
Anil Gudiya
Ram Pippal
Recensioni
1 recensioneRecently widowed and facing the loss of her home, the eponymous woman (Shahana Goswami) is offered a chance to take over her late husband's job as a police officer. Having basically inherited his post without any training, her first task is to work with the no-nonsense "Insp. Sharma" (Sunita Rajwar) on an horrific case in which a young girl has been brutally raped and unceremoniously dumped in a fairly lawless area of Northern India. Disgusted by the crime and by the societal attitudes of many of those the investigations touches - who mostly couldn't care less - we alight on a candidate for the crime and what ensues tests not just her mettle as a police officer but her own morals as the methods of interrogation employed by her new boss are not exactly court-ordered. That's the potent thrust of this film for me, and I didn't find that to sit so easily. The atrocity of the crime is symptomatic of cultural attitudes amidst a society where women are little better than chattels to be used and disposed of by men as required. The question of ethics starts to loom large, though, when the suspect is treated with a brutality that asks whether two wrongs make a right. It's a sort of vigilante justice that pays scant, if any, regard for due process and begs huge questions which are addressed quite poignantly at the very denouement of this quite harrowing and thought-provoking drama. The acting itself is all adequate enough but I thought Goswani relied too much on long pauses and silences to convey the sense of conflict faced by her character as the plot developed. She's not helped by the staccato writing that can hit some potent notes at times, but for the most part seems content to let what we are seeing do the work - and that left me feeling a little uneasy about the retributive elements of the drama. There's no doubt that it does provoke a conversation about women's rights in India and about their appalling position within a male-dominated hierarchy, but is throwing the rule of law under the police bus the answer?
Valutazione
7.0
Votes
85
Popularity
3
Photos
Stills & key art from the movie
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