The Chase
Non perdere mai il filo di ciò che stai guardando.
Tieni film e serie tutti in un posto, riprendi esattamente da dove avevi lasciato e sai sempre cosa guardare dopo.
1,653 viewers track this on Moventra ·free to join
- Regista
- Arthur Penn
- Sceneggiatori
- Lillian Hellman
- Protagonisti
- Marlon Brando, Jane Fonda, Robert Redford
- Genere
- Drama, Crime
Trama
The escape of Bubber Reeves from prison affects the inhabitants of a small Southern town.
- Slogan
- A breathless explosive story of today!
- Genere
- Drama, Crime
- Valutazione
- Approved
- Studi
- Horizon Pictures
- Released
- 1966
- Lingue
- Inglese
- Paesi
- United States of America
Sul web
Marlon Brando
Sheriff Calder
Jane Fonda
Anna Reeves
Robert Redford
Charlie 'Bubber' Reeves
E.G. Marshall
Val Rogers
Angie Dickinson
Ruby Calder
Janice Rule
Emily Stewart
Miriam Hopkins
Mrs. Reeves
Martha Hyer
Mary Fuller
Robert Duvall
Edwin Stewart
Richard Bradford
Damon Fuller
Henry Hull
Briggs
Diana Hyland
Elizabeth Rogers
James Fox
Jason 'Jake' Rogers
Katherine Walsh
Verna Dee
Jocelyn Brando
Mrs. Briggs
Lori Martin
Cutie Bess
Marc Seaton
Paul
Paul Williams
Seymour
Clifton James
Lem Brewster
Malcolm Atterbury
Mr. Reeves
Recensioni
1 recensione**_A Southern town given to drunken revelry & vigilantism with Brando as the voice of reason_** Bubber Reeves (Robert Redford) escapes from prison and this affects the populace of an East Texas town. Marlon plays the sheriff who tries to track down Bubber's whereabouts while Angie Dickinson is on hand as his supportive wife. Jane Fonda plays Bubber's ex-girlfriend and James Fox her secret beau. Janice Rule appears as a drunken woman of dubious morality, Robert Duvall her hubby, and Richard Bradford one of the men with whom she cheats. "The Chase" is mid-60's Southern Gothic in the manner of "The Fugitive Kind" (1960), "In the Heat of the Night" (1967), "Cape Fear" (1962), "This Property Is Condemned" (1966) and "The Long, Hot Summer" (1958). It's arguably on par with most of these, but is significantly superior to the last one. The first act is weak as it establishes the characters, but the story becomes captivating starting with the second act and the surreal drunken party at the mogul's mansion (and the teens in a neighboring abode). Imagine if "Village of the Giants" (1965) was shot as a serious melodrama, minus the giants, and that's the general vibe. The movie addresses elements of hedonism, racism, sexual revolution (with several of the players involved in affairs), political corruption (the sheriff is wrongly thought to be bought by the town mogul), and vigilante non-justice. The most iconic scene is when the sole voice of reason is viciously beaten by the mogul (E.G. Bradford), along with his buds. Marlon later cited this as an example of his renowned Method approach. The wild last act in an auto graveyard is also notable. Despite the picture's many strengths, it's too meandering and unfocused to be wholly effective as Arthur Penn's great "Bonnie and Clyde" (1967). But you can't beat the cast, especially Brando. Look for a young Paul Williams as one of the partying teens. It runs 2 hours, 13 minutes, and was shot in California (Calabasas, Chico, Agoura & Burbank studios). GRADE: B/B- (6.5/10)
Valutazione
7.1
Votes
336
Popularity
5
Photos
Stills & key art from the movie
Your free movie & series tracker
What is Moventra?
Moventra remembers what you watch so you don’t have to. Keep a watchlist, log episodes, and discover similar titles, all in one free app.
Watchlist
Save movies and series you want to watch later.
Episode tracking
Keep tabs on every season and episode as you watch.
Recommendations
Find similar titles when something isn’t for you.
Import & export
Bring your list with you and keep control of your data.
Frequently asked questions
How do I add The Chase to my library?
Can I rate and review The Chase?
Where do I find more movies like The Chase?
Is my Moventra data private?
Pick up The Chase right where you left off — on any device, for free.
Free forever, no advertisement. Pick up where you left off and always know what’s next.