The Witch: Part 1. The Subversion
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- Regista
- Park Hoon-jung
- Sceneggiatori
- Park Hoon-jung
- Protagonisti
- Kim Da-mi, Cho Min-soo, Park Hee-soon
- Genere
- Drama, Science Fiction, Action
Trama
Ja-yoon is a high school student who struggles with memory loss after she endured some unknown trauma during her childhood. While trying to uncover the truth, she is unwittingly dragged into a world of crime and finds herself on a journey that will awaken many secrets hidden deep within.
- Slogan
- Everything changed after they appeared.
- Genere
- Drama, Science Fiction, Action
- Studi
- Peppermint & Company, Warner Bros. Korea, Goldmoon Film, Finecut
- Released
- 2018
- Lingue
- Coreano
- Paesi
- Hong Kong· South Korea
Sul web
Kim Da-mi
Ja-yoon
Cho Min-soo
Dr. Baek
Park Hee-soon
Choi
Choi Woo-shik
Nobleman
Go Min-si
Myung-hee
Choi Jung-woo
Mr. Koo
Oh Mi-hee
Mrs. Koo
Kim Byeong-ok
Chief Do
Jeong Da-eun
Long Hair
Lee Ju-won
President Seong
Kim Ha-na
Young Ja-yoon
Lee Si-woo
Young Nobleman
Lee Si-hoon
Officer Jang
Baek Seung-chul
Store Owner
Woo Min-kyu
Store Owner's Son
Kim Jong-hoon
Man 1
Seo Han-gyeol
Man 2
Park Jong-hwan
Man 3
Jin Yeong-joon
Man 4
Kwak Jin-seok
President Seong's Subordinate 1
Recensioni
1 recensione# Sharp, Simple, and Solid «**마녀**» («**The Witch 1: The Subversion**») is a 2018 Korean film that sticks to what Korean storytelling does best—build around the human first, and then let the plot follow. It’s a familiar formula, but when done right, it works. And in this case, it definitely worked. The opening was dark and brutal. A failed secret government experiment. Standard sci-fi setup. But instead of staying in that lane, the film quickly shifts gears and zeroes in on the life of the main character. This shift is exactly where the difference lies. A lot of Western productions would’ve stayed focused on the government or the science. Here, it becomes personal—and that’s where it hits harder. The action isn’t loud or showy. It’s paced just right. It fits within the story and doesn’t try to outshine it. When the fights start, they feel grounded. Even with the superpowers in play, they didn’t go over the top. No unnecessary flips, no overacting. Just enough to make sense for the story and the characters. One thing I really appreciated: the fights didn’t turn into full-on conversations. That’s a habit a lot of Asian productions fall into—talking too much in the middle of battle. This one kept it tight. Minimal dialogue during combat, but everything said still mattered. It respected the viewer’s time. Set design, props, locations—solid all around. Nothing felt out of place or rushed. You can tell they paid attention to detail and didn’t cut corners. And the story? It’s not just about powers or conspiracies. It’s about control. About what happens when someone is stripped of their choices and made into something for someone else’s benefit. And how that person decides to take that power back. It’s clean, clear, and had no unnecessary extras. Just a good, well-made film that stayed true to its direction. Easy 10 for me.
Valutazione
7.9
Votes
809
Popularity
10
Photos
Stills & key art from the movie
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