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Drama

Back to Bataan

1945 1h 35m 6.1 (72)
당신의 무료 영화 및 시리즈 트래커

놓치지 마세요, 지금 보고 있는 작품을.

영화도 시리즈도 한곳에. 멈췄던 그 장면부터 바로 이어 보고, 다음에 볼 작품도 항상 척척.

Starring
John Wayne Beulah Bondi Anthony Quinn Fely Franquelli Richard Loo

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감독
Edward Dmytryk
각본
Ben Barzman, Richard H. Landau, Aeneas MacKenzie
주연
John Wayne, Beulah Bondi, Anthony Quinn
장르
Drama, War

줄거리

A U.S. Army colonel leads local fighters in a guerrilla campaign against the Japanese in the Philippines.

태그라인
SEE! Battle of Bataan! March of Death! Guerilla Raids! Fierce bolo fighters in action!
장르
Drama, War
제작사
RKO Radio Pictures
Released
1945
언어
영어

출연진

리뷰

1개의 리뷰
John Chard

John Chard

6 1월 2016 · TMDb 제공

7.0

I send out 100 men, they find nothing. I send out ten men, they don't come back. Is it churlish to complain about overt flag waving in war movies? Or to decry propaganda prose in the same? Back to Bataan is guilty as charged, yet such is the composition of Edward Dmytryk's film, and its focus on a part of the war we rarely have seen on film, it matters not. We are in 1942, and after the fall of the Philippines to the Japanese, U.S. Army Col. Joseph Madden (John Wayne) stays behind to lead the local guerrilla resistance against the Japanese army. With that synopsis it isn't hard to figure out what sort of pic we are going to get, yet to purely consider this as a macho beefcake movie is a little unfair. Sure it's bookended by blistering action, as Duke Wayne (very restrained turn actually) and Anthony Quinn cut a swathe through the RKO sound stages, but there's lots of intelligent human interactions here to mark it as being in the least knowing of the campaign. It often grasps for the sentimental branch, while the racist barbs and portrayal of the Japanese does sting at times. But this is exciting and thoughtful stuff, boosted no end by Dmytryk's sturdy direction and Nicholas Musuraca's monochrome photography (a film noir lovers dream pairing!). Better than routine war movie. 7/10

평점

6.1

Votes

72

Popularity

9

Photos

Stills & key art from the movie

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