Dracula
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- Realizador
- Tod Browning
- Argumentistas
- Frederick Stephani, Garrett Fort, Tod Browning
- Protagonistas
- Bela Lugosi, Helen Chandler, David Manners
- Género
- Horror
Enredo
A British estate agent travels to Transylvania to meet the mysterious Count Dracula, who is interested in leasing a London castle. After Dracula enslaves the agent and drives him to insanity, the pair return to London together, where Dracula, a secret bloodsucker, begins preying on socialites.
- Slogan
- The story of the strangest passion the world has ever known!
- Género
- Horror
- Classificação
- Passed
- Estúdios
- Universal Pictures
- Released
- 1931
- Idiomas
- Inglês
- Países
- United States of America
Bela Lugosi
Count Dracula
Helen Chandler
Mina
David Manners
John Harker
Dwight Frye
Renfield
Edward Van Sloan
Van Helsing
Herbert Bunston
Doctor Seward
Frances Dade
Lucy
Joan Standing
Maid
Charles K. Gerrard
Martin
Anna Bakacs
Innkeeper's Daughter (uncredited)
Bunny Beatty
Flower Girl (uncredited)
Nicholas Bela
Coach Passenger (uncredited)
Daisy Belmore
Coach Passenger (uncredited)
William A. Boardway
Concertgoer Outside Theatre (uncredited)
Barbara Bozoky
Innkeeper's Wife (uncredited)
Tod Browning
Harbormaster (voice) (uncredited)
Moon Carroll
Maid (uncredited)
Geraldine Dvorak
Dracula's Bride (uncredited)
John George
Small Scientist (uncredited)
Anita Harder
Bit (uncredited)
Avaliações
5 análises"The blood is the life, Mr. REINFIELD" At three years old this was my first horror movie. My great-grandmother is the one who sat me down and showed me great Bela Lugosi as Dracula. This entire movie is timeless and classic. The very best of all the Universal horrors. No one could be a more perfect Dracula than Bela Lugosi. To accomplish so much with just a stare. No special effects. No fangs... yet he chilled you to the bone and enthralled all. One of my all-time favorites. Classic Cinema perfection.
Though not my very favourite movie about the infamous vampire, this is quite beautiful, well-told and gorgeously photographed (I really can't wait to see the blu!) and is most probably Bela Lugosi's finest hour (though I love his work; and it's also right up there with the greatest-ever vampiric depictions on celluloid), and it has genuine scares. Lugosi not only growls and snarls but also delivers the succulent seductive power of both evil itself and immortality--no matter what devastating consequences that immortal life may truly mean. Essential for both horror fanatics and fans of early (up to and including the 30's) cinema to own on the highest-possible quality, and regular re-watches. It's simply THAT GOOD. The fact that its American release date was Valentine's Day (its New York City premiere was two days earlier) only further hits home the fact that its immortality is due to the fact that it isn't simply a cornerstone of Gothic horror but with a vibrant love story at its very heart.
Probably my third or fourth time seeing this and while the story is simple, still really entertaining and Bela Lugosi, who even as a favorite of mine acknowledge was never the strongest actor, is in his element. Also has some decent effects and nice set design for the era. **4.0/5**
I saw this with a marvellous piano accompaniment that really did showcase the delights of silent cinema and the talents of a pianist who can play, non-stop, for seventy five minutes. Though Bela Lugosi takes top billing as the eponymous character, I felt the film really belonged to his assistant "Renfield" - enjoyably portrayed here by Dwight Frye. He is just an innocent estate agent who arrives at Castle Dracula only to find himself quickly enthralled to his new boss who is determined to come to "Carfax Abbey" in England with his trio of wives, and to wreak some good, old-fashioned, havoc! It's poor "Mina" (Helen Chandler) who is soon on his radar and it falls to her paramour "Harker" (David Manners) and accomplished vampire-hunter "Van Helsing" (Edward Van Sloan) to try and save the day before they are all transformed into blood-suckers. Lugosi is a wooden as a washboard in this film, but the constant shining of the light onto his eyes does manage to convey quite a potent sense of menace as his meticulously dressed count munches his way through the wee small hours. The flying bat on a string is not as daft as you might expect, indeed the whole visual impact of this film - though certainly basic - proves quite effective when the score does most of the heavy lifting. This is a story that has always benefitted from being shot monochrome, and ninety-odd years on, is still a cracking watch in a cinema.
**_A tall, dark and mesmerizing vampire comes to London from Transylvania_** “Dracula” (1931) was based on the play rather than the novel, but the basic Bram Stoker tale is there with alterations. In its time, this was great. Talkies had only been around for a handful of years. Don’t expect the nudity, violence or gore of Coppola’s “Bram Stoker’s Dracula” (1992). If you want a modern take on the tale, I suggest that one (which adds a well-done love story). The focus here is on the handsome & intimidating Count’s calm charisma and hypnotic powers within a Victorian milieu and cobwebbed, crumbling Gothic architecture. It’s somehow relaxing despite the horror trappings. You have to accept this going in to appreciate it. There’s a Spanish-speaking version with a different actor in the eponymous role shot simultaneously, which many say is superior. Also, a score was added by Philip Glass in 1999. There’s also a colorized version. I viewed the original B&W film with Bela Lugosi. His iconic take on the king of vampires is worth the price of admission. The climax is weak though. The movie runs 1 hour, 15 minutes, and was shot at Universal Studios and Agua Dulce, which is in the desert high country north of there. GRADE: B-
Classificação
7.2
Votes
1K
Popularity
5
Photos
Stills & key art from the movie
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