Slack Bay
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- Réalisateur
- Bruno Dumont
- Scénaristes
- Bruno Dumont
- Têtes d'affiche
- Fabrice Luchini, Juliette Binoche, Valeria Bruni Tedeschi
- Genre
- Comedy
Synopsis
Summer, 1910. Inspectors Machin and Malfoy investigate the mysterious disappearances of several tourists on the beautiful beaches of Slack Bay, where a strange community of fishermen lives.
- Genre
- Comedy
- Studios
- Twenty Twenty Vision Filmproduktion, Pallas Film, ARTE France Cinéma, 3B Productions
- Released
- 2016
- Langues
- Français
- Site officiel
- Visiter
Mots-clés
Fabrice Luchini
André van Peteghem
Juliette Binoche
Aude van Peteghem
Valeria Bruni Tedeschi
Isabelle van Peteghem
Jean-Luc Vincent
Christian van Peteghem
Brandon Lavieville
Ma Loute Brufort
Raph
Billie van Peteghem
Didier Després
Alfred Machin
Cyril Rigaux
Malfoy
Laura Dupré
Nadège
Thierry Lavieville
L'Eternel Brufort
Caroline Carbonnier
Mrs. Brufort
Manon Royère
Blanche van Peteghem
Lauréna Thellier
Gaby van Peteghem
Maya Sarac
La dame à l'ombrelle jaune
Noah Noulard
Cloclo Brufort
Julian Teiten
Patte Brufort
Noa Creton
Ti-Louis Brufort
Fabien Fenet
L'ecclésiastique
Yohann Belz
Le pêcheur du parc à huîtres
Yohann Poulain
Le policier naufrage
Avis
1 avisIf you’re up for a bit of borderline farcical pantomime that manages to merge elements of Laurel and Hardy with Ingmar Bergman by way of “Mary Poppins” then this is the film for you. It’s set amidst the sand dunes of the coast of La Manche where folks have begun to mysteriously disappear. Drafted in to investigate is the avuncular “Insp. Machin” (Didier Després) and his sidekick “Malfoy” (Cyril Rigaux). They quickly settle their investigation on a confluence of the sea and the Slack river, where a family of subsistence oyster farmers live under the gaze of the mansion of the wealthy “Van Peteghem” family. This family - that wouldn’t have looked out of place at the start of John Boorman’s “Deliverance” (1972) - largely ignore the locals and live their degenerate lives selfishly, flaunting their obvious wealth in front of their poverty stricken neighbours. Things get a bit complicated when local urchin “Ma Loute” (Brandon Lavieville) takes a shine to the enigmatic “Billie” (Raph) and that not only breaks the unwritten convention that has inhibited the association of the local proles and their visiting patricians. It also complicates the sleuthing for our policeman, who is prone to swelling (think “Aunt Petunia” from “Harry Potter”) when he gets nervous about a case and for the eccentric family led by the mad as cheese “André” (Fabrice Luchini) and the scene stealing “Aude” (a Juliet Binoche who seems determined to present an hybrid of Katharine Hepburn and Dame Margaret Rutherford as she hams up delightfully). Virtually nobody is as they seem as the drama unfolds and whilst the comedy could never be described as subtle, it’s very excessive nature carries it along entertainingly, if perhaps a little sporadically, towards a denouement that Luchini himself has a go at describing to an equally bemused audience and family. That conclusion is a bit rushed and, I thought, undercooked - but the whole film offers us parodies galore, is grandly scored, photographed and designed and there are a few silly scenes that did make me giggle as it pokes fun at the riche, the not so riche, sexual ambiguities and taboos as it generally lolls along enjoyably.
Note
5.6
Votes
274
Popularity
1
Photos
Stills & key art from the movie
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