Benedetta
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- Realizador
- Paul Verhoeven
- Argumentistas
- Paul Verhoeven, David Birke
- Protagonistas
- Virginie Efira, Charlotte Rampling, Daphné Patakia
- Género
- Drama, Romance, History
Enredo
A 17th-century nun becomes entangled in a forbidden lesbian affair with a novice. But it is Benedetta's shocking religious visions that threaten to shake the Church to its core.
- Slogan
- I don't know God's ways, but he works his will through me.
- Género
- Drama, Romance, History
- Estúdios
- SBS Productions, Topkapi Films, Pathé, France 2 Cinéma
- Released
- 2021
- Idiomas
- Francês
- Países
- Belgium· France· Netherlands
Virginie Efira
Sister Benedetta Carlini
Charlotte Rampling
Sister Felicita
Daphné Patakia
Bartolomea
Lambert Wilson
Nuncio
Olivier Rabourdin
Alfonso Cecchi
Louise Chevillotte
Sister Christina
Hervé Pierre
Paolo Ricordati
Clotilde Courau
Midea Carlini
David Clavel
Giuliano Carlini
Guilaine Londez
Sister Jacopa
Gaëlle Jeantet
Sister Petra
Justine Bachelet
Sister Juliana
Lauriane Riquet
Sister Roasanna
Eléna Plonka
Young Benedetta
Héloïse Bresc
Christina enfant
Jonathan Couzinié
Jésus-Christ
Vinciane Millereau
Doctor
Jérôme Chappatte
Secretary
Ewan Ribard
Executioner
Nicolas Béguinot
Writer
Avaliações
1 análise
After living in a nunnery in Pescia since her youth, "Benedetta" (Virginie Efira) has visions that lead her to believe that she is speaking directly to Jesus. A somewhat sceptical Mother Superior (Charlotte Rampling) and her fellow nun "Christina" (Louise Cevillotte) have doubts, but those are not shared by an all-too-willing clergy and soon the young woman is the new Abbess. Simultaneously, the nunnery takes in the young "Bartolomea" (Daphne Patakia) from a torrid and violent relationship with her father and the two women become fast friends - with benefits! When the erstwhile Abbess flees to seek the intervention of the Papal Nuncio (Lambert Wilson) the full power of the church now confronts "Benedetta" - is she really a conduit from their Saviour, or is she no more than a fraud with "bestial" tendencies? The film looks stunning, the attention to the detail is excellent and Paul Verhoeven manages to delicately weave a story that demonstrates just how naive and gullible folks were in the 17th century; how fearful they were of god - and more importantly, the church and he uses the symbolism of the stigmata and of the crown of thorns to illustrate successfully the profound nature of deeply-held attitudes held by a largely ignorant, superstitious, population - especially as the plague approaches their city. It is based in fact, so the ending has limited scope for jeopardy; but Efira is superb in the role as are Cevilotte and Rampling - whose position as the story develops becomes quite an intriguing tightrope act. Sex features prominently, but none of it is gratuitous or seamy - it seems perfectly natural until used as a means of torture (and not in any kinky way!). Was she a charlatan? I know what I think...
Classificação
6.6
Votes
1K
Popularity
5
Photos
Stills & key art from the movie
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