Andrei Rublev
ไม่พลาดการติดตาม สิ่งที่คุณกำลังดู
รวมหนังและซีรีส์ทุกเรื่องไว้ที่เดียว ดูต่อจากตอนที่ค้างไว้ได้ทันที และรู้เสมอว่าเรื่องไหนต่อไป
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- ผู้กำกับ
- Andrei Tarkovsky
- ผู้เขียนบท
- Andrei Konchalovsky, Andrei Tarkovsky
- นักแสดงนำ
- Anatoliy Solonitsyn, Ivan Lapikov, Mykola Hrynko
- แนว
- Drama, History
เรื่องย่อ
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.
- สโลแกน
- In much wisdom there is much grief.
- แนว
- Drama, History
- คะแนน
- R
- สตูดิโอ
- Mosfilm
- Released
- 1966
- ภาษา
- รัสเซีย
- ประเทศ
- Soviet Union
Anatoliy Solonitsyn
Andrei Rublev
Ivan Lapikov
Kirill
Mykola Hrynko
Daniil Chornyy
Nikolai Sergeyev
Theophanus the Greek
Irma Raush
God's Fool
Nikolay Burlyaev
Boriska
Yuriy Nazarov
Grand Duke / Minor Duke
Yuriy Nikulin
Patrikey
Rolan Bykov
Buffoon
Nikolay Grabbe
Stepan, Centurion of the Grand Duke
Mikhail Kononov
Foma
Stepan Krylov
Senior Foundry Worker
Bolot Beyshenaliev
Tatar Khan
B. Matysik
Pyotr
Anatoliy Obukhov
Aleksey
Volodya Titov
Sergey
Nikolay Glazkov
Yefim
K. Aleksandrov
Semyon Bardin
Hut Owner
Ivan Bykov
รีวิว
รีวิว 1 รายการ
Later canonised (in 1988!), this tells the story of the renowned Russian iconographist and fresco painter. His actual life, as you might expect from the early 15th century, is not well documented so Andrei Tarkovsky has, forgive the pun, a pretty blank canvas on which to draw us a portrait of the trials and tribulations of this inspired, misunderstood, suspected and troubled soul. It has an octuple, episodic, narrative that marries his own development as a man and an artist with the quite literally revolutionary goings on as his country is, frequently quite brutally, coming into some some semblance of cohesive existence. It focuses on the role of the church in this most religious, and superstitious, of nations and offers us a much less aggressive correlation between the communist Soviet threads so often prevalent in sate backed movies made at the time and of those iconic figures so prominent in Russian history. The imagery is creatively bamboozling at times; the story doesn't follow any linear a-b-c narrative and we are presented with an oblique interpretation not just of his life, but of life in an embryonic nation that is emerging from an almost primitive existence - and that is fascinating (if not always easy to follow and/or comprehend). It is the vision of the man in the title, but also of the man behind the camera - a startlingly effective sequence of beautifully photographed concepts that offer layers of complexities depicting human nature in pretty much all of it's guises. Surprisingly, for a film in excess of three hours, it flows effortlessly with Anatoliy Solonitsyn conveying an overwhelming sense of humanity with his character. If you can ever see it on a cinema screen, then it is definite a must - especially the last ten minutes or so which demonstrate (in glorious colour) some of his magnificent artistry.
คะแนน
7.9
Votes
981
Popularity
4
Photos
Stills & key art from the movie
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