Klute
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- ผู้กำกับ
- Alan J. Pakula
- ผู้เขียนบท
- Andy Lewis, David E. Lewis
- นักแสดงนำ
- Jane Fonda, Donald Sutherland, Charles Cioffi
- แนว
- Drama, Thriller, Crime
เรื่องย่อ
สาวเรียกค่าบริการแพงถูกบังคับให้พึ่งนักสืบเอกชนที่ไม่เต็มใจเมื่อเธอถูกสะกดรอยตามโดยคนโรคจิต
- สโลแกน
- You'd never take her for a call girl. You'd never take him for a cop.
- แนว
- Drama, Thriller, Crime
- สตูดิโอ
- Gus Productions, Warner Bros. Pictures
- Released
- 1971
- ภาษา
- อังกฤษ
- ประเทศ
- United States of America
Jane Fonda
Bree Daniels
Donald Sutherland
John Klute
Charles Cioffi
Peter Cable
Roy Scheider
Frank Ligourin
Dorothy Tristan
Arlyn Page
Rita Gam
Trina
Vivian Nathan
Psychiatrist
Nathan George
Trask
Morris Strassberg
Mr. Goldfarb
Barry Snider
Berger
Anthony Holland
Actor's Agent
Richard B. Shull
Sugarman
Betty Murray
Holly Gruneman
Jane White
Janie Dale
Shirley Stoler
Momma Reese
Fred Burrell
Man in Hotel
Jean Stapleton
Goldfarb's Secretary
Robert Milli
Tom Gruneman
Mary Louise Wilson
Producer in Adv. Agency
Marc Malvin
Asst. Prod. in Adv. Agency
รีวิว
รีวิว 1 รายการOnce Bree breezes into Klute’s life, things will never be the same. Klute is directed by Alan J. Pakula and written by Andy and Dave Lewis. It stars Jane Fonda, Donald Sutherland, Charles Cioffi and Roy Scheider. Music is by Michael Small and cinematography by Gordon Willis. When businessman Tom Gruneman (Robert Milli) mysteriously disappears, private detective John Klute (Sutherland) is hired to find out what happened. Travelling to New York, Klute follows a lead to high class prostitute Bree Daniels (Fonda), who is known to have had much correspondence with Gruneman. An uneasy relationship forms between Klute and Daniels, but when it becomes apparent that she is being stalked by someone sinister, Klute gets in far deeper than he ever could have imagined. Alan J. Pakula, a purveyor of 1970s paranoia infused cinema, lends his astute sense of screw tightening to make Klute a taut and menacing neo-noir. He gives us a New York cloaked in urban claustrophobia, a place populated with lost souls, of emotionally stunted abusers, and sexually charged murders. Right in the middle are John and Bree, two people in search of meaning and direction in life, brought together by way of a miserable scenario. Their respective psychological make-ups suggest complexities, yet this chapter in their life is not. The mystery element to the narrative is not particularly strong, but it doesn’t really need to be, such is the strength of the lead characterisations and the atmosphere rung out by Pakula’s sparse direction and Willis’ spectral photography. Fonda is terrific, a ball of emotionally conflicted fudge, sexy, feisty but ever so fragile, she deserved her Academy Award. Sutherland is equally ace, masking John’s inner anxieties with stoic outward bravado. While Scheider and Cioffi offer firm and telling support. A very strong neo-noir that is an ode to great film making techniques, where story and characters are chosen as being more important than visceral shocks. 8.5/10
คะแนน
6.8
Votes
532
Popularity
5
Photos
Stills & key art from the movie
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