เมาน์เทนเฮด
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- ผู้กำกับ
- Jesse Armstrong
- ผู้เขียนบท
- Jesse Armstrong
- นักแสดงนำ
- Steve Carell, Jason Schwartzman, Cory Michael Smith
- แนว
- Drama, Comedy, TV Movie
เรื่องย่อ
กลุ่มเพื่อนมหาเศรษฐีรวมตัวกันท่ามกลางฉากหลังของวิกฤตระดับนานาชาติที่กำลังปะทุอย่างต่อเนื่อง
- สโลแกน
- Humanity is in their hands.
- แนว
- Drama, Comedy, TV Movie
- สตูดิโอ
- HBO Films, Hot Seat Productions, Project Zeus
- Released
- 2025
- ภาษา
- อังกฤษ
- ประเทศ
- United States of America
Steve Carell
Randall Garrett
Jason Schwartzman
Hugo 'Souper' Van Yalk
Cory Michael Smith
Venis Parish
Ramy Youssef
Jeff Abredazi
Daniel Oreskes
Dr. Phipps
Hadley Robinson
Hester
David Thompson
Leo
Ali Kinkade
Berry Oliphant
Ava Kostia
Paula
Alex Peña
Argentinian Business Leader
Amie MacKenzie
Janine
Larkin Bell
Nanny
Capri Eaton
Baby Sabre
Emmi Eaton
Baby Sabre
รีวิว
รีวิว 1 รายการ"Moutainhead"aspires to be more, than it reasonably achieves. In one sense its an exercise in moral relativism. Moral judgements for four wealthy tech executives are only true or false, when viewed from their perspective, which is mired in hyper capitalism. For them, morality is grounded in the ruthless pursuit of individual wealth, allegedly to leverage technocratic human evolution (trans-humanism). When one of them challenges this world view, during a rich pals getaway, things turn darkly comical. You can see the rather understated critique of the modern obsession with an on line life this film presents. A place where truth is allegedly manufactured, not told. The gleeful, almost childlike immaturity, wilful recklessness and narcissism, of those who have built it. Also on a certain level, the tech elites uselessness. One can't even boil an egg. So much for the value of social media, right? Well yes and frankly, "no". This film overplays its hand. It tries to promote the mainstream media as a source of truth, when in fact, people have turned to social media precisely "because" of mainstream journalism's unwillingness, to tell truth to power. In spite of its flaws, social media has given genuine investigative journalists and courageous whistle blowers, a platform to expose the malfeasance of corrupted power. Something this film, rather too conveniently, overlooks. In summary, this is not a bad film. As a mild, dark comedy, it very reasonably makes wholly valid points about social media and by extension, big tech's, shortcomings. Where it falls short, its its inability to tell the other side of the story. In vogue labels, like "misinformation", so popular with glib politicians and the less than transparent mainstream media, could as easily be applied to them, as they could, the high tech, on line world and those who built it.
คะแนน
5.2
Votes
240
Popularity
2
Photos
Stills & key art from the movie
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