แดนขังคนคลั่งฝัน
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- ผู้กำกับ
- Greg Kwedar
- ผู้เขียนบท
- Clarence Maclin, Clint Bentley, Greg Kwedar
- นักแสดงนำ
- Colman Domingo, Clarence Maclin, Sean San Jose
- แนว
- Drama
เรื่องย่อ
ดิไวน์ จี ถูกคุมขังอยู่ที่ ซิง ซิง จากความผิดที่เขาไม่ได้เป็นคนทำ เขาค้นพบเป้าหมายในที่แห่งนี้ ด้วยการแสดงในกลุ่มการละครของเรือนจำ ร่วมกับผู้ต้องขังคนอื่น ๆ ซึ่งก็รวมไปถึงผู้ต้องขังใหม่คนหนึ่งที่ไม่น่าไว้วางใจเท่าไหร่นัก
- สโลแกน
- Trust the process.
- แนว
- Drama
- สตูดิโอ
- Black Bear Pictures, Edith Productions, Marfa Peach Company
- Released
- 2024
- ภาษา
- อังกฤษ
- ประเทศ
- United States of America
- เว็บไซต์ทางการ
- เยี่ยมชม
Colman Domingo
John 'Divine G' Whitfield
Clarence Maclin
Clarence 'Divine Eye' Maclin
Sean San Jose
Mike Mike
Paul Raci
Brent Buell
David "Dap" Giraudy
David 'Dap' Giraudy
Patrick "Preme" Griffin
Patrick 'Preme' Griffin
Mosi Eagle
Mosi Eagle
James "Big E" Williams
James 'Big E' Williams
Sean Dino Johnson
Sean 'Dino' Johnson
Brent Buell
Michael Capra
Cecily Lyn
Johnny Simmons
Unnamed Inmate
Katherine Vockins
Reynaldo Gayle
Sharon Washington
Social Worker
Dario Peña
Dario Peña
Miguel Valentin
Miguel Valentin
Jon Adrian "JJ" Velazquez
Jon Adrian 'JJ' Velazquez
Pedro Cotto
Pedro Cotto
รีวิว
รีวิว 1 รายการ"G" (Colman Domingo) spends much of his time in prison leading their amateur dramatics society. This quite disparate group of felons are quite adept at turning their hand to everything from Shakespeare to things he's written himself, and with his clemency hearing looming and him having new evidence that he didn't commit the crime he's in for, he is generally an upbeat and optimistic man. They are one person short on their team, and so decide to approach new arrival Clarence Maclin to see if he will join their group. He does, but he takes a different approach to the whole operation and that looks like it is going to set the two men on a collision course. Their next performance is to be a comedy - but as the story unfolds we find that there isn't so much funny about the various scenarios of the incarcerated characters. There's very little emphasis here on who did what to get behind bars in the first place, the thrust focusses more on the characterisations of the men - many of whom are actually former prisoners themselves, as director Greg Kwedar uses the stage - and, occasionally, the costumes, as the perfect setting to explore the lives of these people. Some of them are hopeful of release, some less so. Some protest their innocence, others - well maybe not so much. Then there's the increasingly potent dynamic between Domingo and Maclin. One assuming he is better placed to help the other, but is that true? Could there be more in common between them than it initially appears? Domingo is on great form, especially towards the end, but it's actually Maclin who delivers the stronger character here. That's doubtless informed by his real experiences, but he still brings a degree of nuance to a role that has little expectation of release nor belief in the rehabilitative powers of the routine day-to-day life in "Sing Sing". It's an intense and engaging drama that does draw us in to care what happens whilst creating personalties that are flawed, yes, but not beyond redemption and that are distinctly human.
คะแนน
7.4
Votes
401
Popularity
6
Photos
Stills & key art from the movie
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