โปสต์การ์ดสั่งตาย
ไม่พลาดการติดตาม สิ่งที่คุณกำลังดู
รวมหนังและซีรีส์ทุกเรื่องไว้ที่เดียว ดูต่อจากตอนที่ค้างไว้ได้ทันที และรู้เสมอว่าเรื่องไหนต่อไป
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- ผู้กำกับ
- Danis Tanović
- ผู้เขียนบท
- Andrew Stern, Ellen Brown Furman
- นักแสดงนำ
- Jeffrey Dean Morgan, Famke Janssen, Cush Jumbo
- แนว
- Drama, Thriller
เรื่องย่อ
เรื่องราวของนักสืบในนิวยอร์กสืบคดีการตายของลูกสาวของเขาที่ถูกฆาตกรรมขณะไปฮันนีมูนที่ลอนดอน เขาได้รับความช่วยเหลือจากนักข่าวชาวสแกนดิเนเวียเมื่อคู่รักอื่น ๆ ทั่วยุโรปประสบชะตากรรมคล้าย ๆ กัน
นักแสดง
Jeffrey Dean Morgan
Jacob Kanon
Famke Janssen
Valerie Kanon
Cush Jumbo
Dessie Lombard
Joachim Król
Inspector Klaus Bublitz
Steven Mackintosh
Detective Inspector Rupert Pierce
Naomi Battrick
Marina Haysmith / Sylvia Randolph
Ruairí O'Connor
Simon Haysmith / Mac Randolph
Denis O'Hare
Simon Haysmith
Eva Röse
Detective Sergeant Agneta Hoglund
Lukas Loughran
Detective Evert Ridderwall
Dylan Devonald Smith
Pieter Holl
Sallie Harmsen
Nienke Holl
Orla O'Rourke
Nancy
Christopher Pizzey
Charles Hardwick
Tim Ahern
Bill Brown
Martin Wenner
Matts
Caroline Bartholdson
Female Detective
Daniel Sjöberg
Male Detective
Dana Blacklake
Young Helsinki Reporter
Celine Abrahams
Airline Representative
รีวิว
รีวิว 4 รายการ**When the main problem is knowing too much too soon...** Serial killers will always be fodder for movies, good and bad. It's not worth quoting examples, anyone reading this has probably seen at least ten movies about serial killers. This is one more, based on original Scandinavian material that I've never seen, but I'd like to see it, and I'll try to find it. Honestly, I hope it's better than the movie I just saw... The film is not bad. Don't get me wrong. It has a good base premise: murders that imitate famous works of art all over Europe, with the father of one of the victims desperately trying to catch the culprit. But it's not at all original, it does the same things that we're tired of seeing in established films, and it doesn't manage to go beyond the usual recipe to offer us something that makes it stand out. And there is a huge problem that partially ruins the film: we discover the identity of those who are killing people too soon and, from there, it is only worth watching the film to see how the police will hunt down their target. Jeffrey Dean Morgan is a very solid and competent protagonist, able to commit himself and give the character the consistency and anguish that it demands. Undoubtedly, the actor's performance is a bonus in the film. Despite being heavily criticized, I think Famke Janssen wasn't that bad. She does have depressing moments and sometimes goes overboard, but she gives us a relatively satisfying job, and doesn't have many opportunities to really fail. Joachim Krol seems to be out of place and lost. Naomi Battrick is quite good, taking into account that she is not a frontline actress and has handled a character who demands a certain charisma and attitude; Ruairi O’Connor, honestly, cannot say he is happy, he erases himself even in scenes where he is more visible. Technically, it's a regular film without great merits, but it doesn't fail too much either: the European settings and landscapes, always pleasant no matter how commonplace they may be, are joined by standard cinematography and ordinary work on the costumes. Some well-crafted effects and a lukewarm soundtrack make for a cohesive and functional, if forgettable, whole.
When a young girl is murdered on her honeymoon, her devastated detective dad "Kanon" (Jeffrey Dean Morgan) joins in the investigation. It doesn't take long for him to discover - with the aid of Swedish journalist "Dessie" (Cush Jumbo) - that this is not an unique crime, even though the perpetrator leaves the bodies as if they were features in a famous work of art. Meantime, the young Naomi Battrick and Ruairi O'Connor are travelling thorough Europe on a train when they encounter the burly, tattooed "Pieter" (Dylan Devonald-Smith). Might they be in the same danger? The story has quite a few twists and turns, and were it in better hands with a better cast then it might have been, well, better... As it is, though, the more interesting aspects of the plot are seriously undercooked; it takes far too long for us to get going and the quality of the acting and the dialogue - pretty much across the board - is nothing special. Some nice scenery, I suppose, but despite his tragedy I just couldn't warm to "Kanon" nor to his underused wife "Valerie" (Famke Janssen). It's a standard television movie that passes the time, but nothing more.
Big fan of Jeffrey Dean Morgan, but this isn't a good film. <em>'The Postcard Killings'</em> should be full to the brim with vigour and vitality as the plot involves a mystery that takes the characters across Europe. Unfortunately, it's extremely dull from start to finish. It's not anything necessarily terrible, it's just the uneventful feel to things hampers this 2020 release hard. Morgan gives a solid performance, though I kinda wanted more from him - at times he kinda felt miscast, if I'm honest. I'm not fully sure if that's the case or not though. The support cast are fine if forgettable, the minor standout behind Morgan is Naomi Battrick; who I recall seeing in a few early episodes of television show <em>'<a href="https://en.wikipedia.org/wiki/Jamestown_(TV_series)" rel="nofollow">Jamestown</a>'</em>, which I found to be equally as uninteresting as this. This needed a quicker pace and more action, without that it's a disappointment.
Generally I like these crime-dramas, which I is why I also watched CSI and Criminal Minds when they were on. However, this adaptation of the James Patterson/Liza Marklund novel has some editing problems and sloppy dialogue. There were a couple okay scenes that did surprise, otherwise it kind of plods along at a slow pace. If not for Jeffrey Dean Morgan, this would've been tough to sit through. **2.75/5**
คะแนน
6.3
Votes
651
Popularity
2
Photos
Stills & key art from the movie
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