The River
ไม่พลาดการติดตาม สิ่งที่คุณกำลังดู
รวมหนังและซีรีส์ทุกเรื่องไว้ที่เดียว ดูต่อจากตอนที่ค้างไว้ได้ทันที และรู้เสมอว่าเรื่องไหนต่อไป
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- ผู้กำกับ
- Jean Renoir
- ผู้เขียนบท
- Jean Renoir, Rumer Godden
- นักแสดงนำ
- Nora Swinburne, Esmond Knight, Arthur Shields
- แนว
- Drama, Romance
เรื่องย่อ
Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.
Nora Swinburne
The Mother
Esmond Knight
The Father
Arthur Shields
Mr. John
Suprova Mukerjee
Nan
Thomas E. Breen
Capt. John
Patricia Walters
Harriet
Radha Burnier
Melanie
Adrienne Corri
Valerie
June Tripp
Narrator (voice)
Nimai Barik
Kanu (uncredited)
Richard R. Foster
Bogey (uncredited)
Jane Harris
Muffie (uncredited)
Jennifer Harris
Mouse (uncredited)
Trilak Jetley
Anil (uncredited)
Bhogwan Singh
Sajjan (uncredited)
Penelope Wilkinson
Elizabeth (uncredited)
Cecilia Wood
Victoria (uncredited)
รีวิว
รีวิว 1 รายการI found there to be something of the beauty of one of novelist Rumor Godden's other novels - "Black Narcussus" (1947) in this gorgeously photographed tale of three young women growing up with the Ganges river providing a constant in their lives. Our story is narrated, in part, by "Harriet" (Patricia Walters) who lives an affluent life beside the river with her much younger sisters, brother and with her mother (Nora Swinburne) expecting number seven! The age difference means she spends much of her time with her two friends "Valerie" (Andrienne Corri) and "Melanie" (Radha). "Melanie" is of mixed-race, her father being British, her late mother a local - and so their's is a more complex dynamic fitting in with a society that was still pretty unforgiving of inter-racial transgressions. The three girls rub along well enough though, enjoying the simplicities of their privileged lives, until the arrival of the handsome "Uncle John" (Thomas E. Breen) who is the cousin of "Mr. John" (Arthur Shields) - the dad of "Melanie". This visitor has, quite literally, been through the wars and has a prosthetic limb to show for it. Psychologically struggling, he has come to hide himself away; to remove any reminders of his former more able existence. What he doesn't bargain for though are these three girls. They take an immediate shine to him and over the course of the latter part of the film we enjoy their growing infatuation and rivalries - all set amidst the colourful and vibrant Hindu community in which they live but with which they have remarkably little but the most polite of involvement. As you'd expect, the narrative delivers an occasional tragedy and it takes a perhaps little too stoic a view on the value of human life - especially when it isn't white - but for the most part the story seems set on avoiding anything politically, or even societally contentious as the plot develops. Essentially, there's not a great deal of actual substance to this story. It's a beautifully photographed and aesthetically pleasing depiction of a dream, if you like - and it's not a great dream for everyone; even "Harriet" - before the timeless Ganges continues on it's way past farms, fields, temples and homes. It looks great on a big screen and if you can, literally, go with the flow then you ought to be able to appreciate it for what it was, when it was written in 1946.
คะแนน
7.2
Votes
137
Popularity
5
Photos
Stills & key art from the movie
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