Baise-moi
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- Regie
- Virginie Despentes, Coralie Trinh Thi
- Drehbuch
- Coralie Trinh Thi, Virginie Despentes
- Hauptdarsteller
- Karen Lancaume, Raffaëla Anderson, Ouassini Embarek
- Genre
- Drama, Thriller, Crime
Handlung
Nadine and Manu are two mad women, as tidy as can be, almost perfectionists. They have several things in common: extreme sex, drugs, beer and the trigger. They find the solution to their problems with guns and beware to those who dare to get in their way!
- Slogan
- Art or Pornography? You be the judge! Complete and Uncut the most controversial film of all time...A hard-core Thelma & Louise.
- Genre
- Drama, Thriller, Crime
- Studios
- Toute Premiere Fois
- Released
- 2000
- Sprachen
- Französisch
- Länder
- France
Karen Lancaume
Nadine
Raffaëla Anderson
Manu
Ouassini Embarek
Radouan
Adama Niane
Man in Pool Hall
Marc Barrow
Hotel Receptionist
Patrick Eudeline
Francis
Ian Scott
Rapist
Zenza Raggi
Big Guy
Jean-Louis Costes
Man in Swinger Club
Titof
Cute Guy
Delphine McCarty
Roommate
Patrick Kodjo Topou
Wanted
Élodie Chérie
Distributor Lady
Marc Rioufol
Architect
Hervé P. Gustave
Martin
Jean-Marc Minéo
Gunsmith
Gábor Rassov
Hooded Asshole
Rodolphe Antrim
Local Guy
Nataly Dune
BAP Woman
Sebastian Barrio
BAP Man
Bewertungen
1 Rezension
_Baise-Moi_ is, frankly, dreadful. Years ago, I had a flatmate who was obsessed with it—I’ve never understood why. Even setting aside the sex and violence, what remains is a shoddy mess: it looks and sounds like an early 2000s daytime soap, complete with a dreadful soundtrack and incidental music and performances that barely convince. The direction is apathetic at best. I watched it on an old DVD still bearing the BBFC’s cuts, so perhaps the visuals suffered there—but even Arrow’s restoration can’t polish this particular turd. Yes, the sexual violence still shocks, mainly due to how casually it’s presented. But in the near quarter-century since its release, the film’s once-infamous brutality has been easily surpassed—leaving Baise-Moi exposed as little more than a provocateur with nothing to say. It appears the only reason this film exists is to annoy and piss off the censors—it’s neither exciting, titillating, nor remotely captivating.
Bewertung
4.8
Votes
504
Popularity
22
Photos
Stills & key art from the movie
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