Theorem
Verlier nie den Überblick, was du gerade schaust.
Alle Filme und Serien an einem Ort – mach genau da weiter, wo du aufgehört hast, und weißt immer, was als Nächstes kommt.
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- Regie
- Pier Paolo Pasolini
- Drehbuch
- Pier Paolo Pasolini
- Hauptdarsteller
- Terence Stamp, Silvana Mangano, Massimo Girotti
- Genre
- Drama, Mystery
Handlung
A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.
- Slogan
- There are only 923 words spoken in "Teorema" – but it says everything!
- Genre
- Drama, Mystery
- Studios
- Aetos Produzioni Cinematografiche, B.R.C. Produzione Film
- Released
- 1968
- Sprachen
- Italienisch
- Länder
- Italy
Terence Stamp
The Visitor
Silvana Mangano
Lucia, the Mother
Massimo Girotti
Paolo, the Father
Anne Wiazemsky
Odetta, the Daughter
Andrés José Cruz Soublette
Pietro, the Son
Laura Betti
Emilia, the Servant
Ninetto Davoli
Angelino, the Messenger
Carlo De Mejo
Lucia's first lover
Adele Cambria
Emilia, the Second Servant
Luigi Barbini
Boy at the station
Giovanni Ivan Scratuglia
Lucia's second lover
Alfonso Gatto
Doctor
Cesare Garboli
Interviewer (uncredited)
Susanna Pasolini
Old Peasant (uncredited)
Bewertungen
1 RezensionNowadays, when I see Terence Stamp, I wonder how on Earth he achieved the iconic status he did - until, that is, I watch films like this. He is a sexually enigmatic, enthralling stranger who visits and stays with a wealth family, seducing in turn each member of the family - boys and girls; hell even the maid - before finally the father then he departs leaving their hitherto functional, if not entirely fulfilled, family with gaping holes in their existence. The sex theme is prevalent, but PP Pasolini also encourages us to look at the psychology of the people, what makes them tick - their desires - spoken and not; their pent up passions and peccadilloes - all with precious little dialogue - and I say precious because what little there is contributes significantly to the film. Ennio Morricone creates a magnificent audio setting (perhaps not so much the trumpets) for this, ably abetted by Mozart and the gentle but elegant photography set against a backdrop of pretty Lombard scenery makes for a thought-provoking, soul searcher of a film.
Bewertung
7.0
Votes
459
Popularity
4
Photos
Stills & key art from the movie
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