The Commitments
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- Réalisateur
- Alan Parker
- Scénaristes
- Dick Clement, Ian La Frenais, Roddy Doyle
- Têtes d'affiche
- Robert Arkins, Michael Aherne, Angeline Ball
- Genre
- Drama, Comedy, Music
Synopsis
Jimmy Rabbitte, just a thick-ya out of school, gets a brilliant idea: to put a soul band together in Barrytown, his slum home in north Dublin. First he needs musicians and singers: things slowly start to click when he finds three fine-voiced females virtually in his back yard, a lead singer (Deco) at a wedding, and, responding to his ad, an aging trumpet player, Joey "The Lips" Fagan.
Robert Arkins
Jimmy Rabbitte
Michael Aherne
Steven Clifford
Angeline Ball
Imelda Quirke
Maria Doyle Kennedy
Natalie Murphy
Dave Finnegan
Mickah Wallace
Bronagh Gallagher
Bernie McGloughlin
Félim Gormley
Dean Fay
Glen Hansard
Outspan Foster
Dick Massey
Billy Mooney
Johnny Murphy
Joey 'The Lips' Fagan
Ken McCluskey
Derek Scully
Andrew Strong
Deco Cuffe
Colm Meaney
Jimmy Rabbitte, Sr.
Anne Kent
Mrs. Rabbitte
Andrea Corr
Sharon Rabbitte
Gerard Cassoni
Darren Rabbitte
Ruth Fairclough
Rabbitte Twin
Lindsay Fairclough
Rabbitte Twin
Michael O'Reilly
Greg
Liam Carney
Duffy
Avis
1 avis"Jimmy" (Robert Arkins) is a bit of a restless, creative, spirit and a man who is bored with the Dublin music scene. To rectify matters, he and his pal "Joey" (Johnny Murphy) - aka 'The Lips" decide to hold auditions to create a band. A band with an unique sound to challenge the prevailing mediocrity. After some frankly hilarious auditions that pitch the tone deaf straight into the arms of the fashion police, the pair manage to assemble ten folks as different as gin and Guinness. It's no easy task moulding these disparate and lively individuals into one coherent unit, but oddly enough - despite their differences - it's the music from the likes of Mack Rice ("Mustang Sally"), Al Green & Teenie Hodges and a range of established American soul songsters who manage to provide them all with a common language and purpose as they gradually start to gain some traction amongst a sceptical community and an even more cynical music business. It's fair to say that neither "Lips" nor "Jimmy" are high on the list at the diplomatic corps, so keeping these people from - quite literally at times - tearing each other apart is no mean feat. Being a Scot of a certain age from Glasgow, it's easy for me to appreciate the old adage that for many, the escape from post-industrial poverty was music - and both Danny Boyle and Roddy Doyle work well to create and engagingly plausible story of folks whose ambition is not to win a Grammy, but to have enough money to buy their kids milk in the morning. Those they assemble for the band are a myriad of characterful and colourful folks - some likeable, some certainly not - but put them on stage and the toes start tapping and all is forgiven. For a while, at least! There's a sense of real talent here, warts and all - and for just shy of two hours it's a compelling watch that reminded me that most bands started out with a talent scouting mechanism that didn't require the likes of Simon Cowell.
Note
7.3
Votes
627
Popularity
4
Photos
Stills & key art from the movie
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