A Generation
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- Regisseur
- Andrzej Wajda
- Schrijvers
- Bohdan Czeszko
- Sterren
- Tadeusz Łomnicki, Urszula Modrzyńska, Tadeusz Janczar
- Genre
- Drama, War
Verhaal
Enkele tieners sluiten zich in bezet Warschau aan bij de communistische ondergrondse. Stach voelt zich aangetrokken tot Dorota, de jonge leidster van de groep. Na Dorota’s arrestatie wordt Stach de leider van de cel.
Tadeusz Łomnicki
Stanisław 'Bartek' Mazur
Urszula Modrzyńska
Ewa 'Dorota'
Tadeusz Janczar
Jasio Krone
Janusz Paluszkiewicz
Sekuła
Ryszard Kotys
Jacek
Roman Polanski
Mundek
Ludwik Benoit
Grzesio
Zofia Czerwińska
Barkeeper Lola
Zbigniew Cybulski
Kostek
Tadeusz Fijewski
German Guard in a Sawmill
Zygmunt Hobot
Abram
Cezary Julski
Coach Driver
Bronisław Kassowski
Waldemar Berg
August Kowalczyk
Priest
Jerzy Krasowski
AK Major
Zenon Laurentowski
Carpentry Shop Worker
Stanisław Milski
Caretaker Krone
Juliusz Roland
"Kaczor"
Hanna Skarżanka
Antoniowa
Janusz Ściwiarski
Ryszard Berg
Reviews
1 recensieAt the height of the Nazi occupation of Poland in 1942, this tells us a story of war with a slightly different slant. It takes up the cudgels of the youth whose innocence was well and truly stripped away by their oppressors and illustrates just how tough it was to grow up in any sort of a natural fashion when guns were everywhere and freedom-fighting the order of the day. That is exemplified here by "Stach" (Tadeusz Lomnicki). He grew up in the Warsaw equivalent of a shanty town, with his mother, and learned to live on a combination of wits and strength. He falls in with some communist resistance fighters at work and that's where he meets "Dorota" (Urszula Modrzynska) whom he begins a relationship with whilst perils mount outside. The killing of an officer by his close friend "Jacek" (Ryszard Kostas) makes matters much more intense and with their enemy now firmly focussed on the group, it becomes even more dangerous and lonely for an increasingly angry and frustrated 'Stach". Andrzej Wajda manages to use the tightly knit cast here to create a drama that's entirely plausible of a society struggling to retain any semblance of it's freedoms and principles in the face of an overwhelming and hostile government. He uses the character of "Stach" cleverly to contrast his vulnerability and, at times even childishness, with his courage and his desires. This also shows us a bit of the enemy of any enemy is my friend philopsohy as people with little in common find themselves (temporarily) allied to combat a common foe safe in the knowledge that each are the other's next foe down the line in due course. Like most of the best films to depict events of WWII, this uses the ordinariness of the people to fight it's corner well. Decent people who were not trained killers, indeed here they are barely out of school, yet they adapt to the wreckage of their city; reduced to huddling in corners or ruins or sewers that are darkly lit and photographed as if these very sets were terrified. This is a tough watch and it tests humanity in many of it's guises as it depicts a sort of hope from hopelessness - but without any danger of rose covered cottages, or cherry pie endings.
Beoordeling
7.0
Votes
64
Popularity
5
Foto's
Stills en key art van de film
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