Clockers
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- Regisseur
- Spike Lee
- Schrijvers
- Richard Price, Spike Lee
- Sterren
- Harvey Keitel, John Turturro, Delroy Lindo
- Genre
- Drama, Mystery, Crime
Verhaal
Strike is een jonge drugdealer die in de leer is bij de drugsbaas Rodney Little. Op een dag wordt de eigenaar van een fast-food restaurant dood aangetroffen met vier kogels in zijn lichaam. Strike's oudere broer geeft zichzelf aan als de moordenaar. Detective Rocco Klein gelooft echter niets van zijn verhaal, en denkt dat hij Strike probeert te beschermen.
- Tagline
- When there’s murder on the streets, everyone is a suspect.
- Genre
- Drama, Mystery, Crime
- Studio's
- 40 Acres and a Mule Filmworks, Universal Pictures
- Uitgebracht
- 1995
- Talen
- Engels
- Landen
- United States of America
Op het web
Harvey Keitel
Det. Rocco Klein
John Turturro
Det. Larry Mazilli
Delroy Lindo
Rodney Little
Mekhi Phifer
Ronald 'Strike' Dunham
Isaiah Washington
Victor Dunham
Keith David
André the Giant
Peewee Love
Tyrone 'Shorty' Jeeter
Regina Taylor
Iris Jeeter
Thomas Jefferson Byrd
Errol Barnes
Sticky Fingaz
Scientific
Fredro Starr
Go
Elvis Nolasco
Horace
Lawrence B. Adisa
Stan
Hassan Johnson
Skills
Frances Foster
Gloria
Michael Imperioli
Detective Jo-Jo
Lisa Arrindell
Sharon, Victor's Wife
Paul Calderon
Jesus at Hambones
Brendan Kelly
Big Chief
Mike Starr
Thumper
Reviews
3 recensiesThis is a criminally underrated gem, a urban movie about drug dealers that feels nothin like your typical gangsta movie, it doesn't have constant rap playing the whole way through, but a poignant classical soundtrack from Blanchard, Albeit still great 90's hip hop in it. The emotion and color of the sets are tangible. I wouldn't really call this a Spike Lee joint, because Scorsese produced it, it has a much more professional and serious feel than Spikes previous corny work. The 90's Brooklyn hip hop street reality feel is there but this film hits a much deeper note in the soul, skip the mainstream trailer, it might be the reason this failed in the mainstream, when it sours with true underground heads.
Spike Lee is an unfortunate instance of a very talented filmmaker who's obvious talent in craftsmanship doesn't come across in contemporary mainstream cinema because of issues having nothing to do with cinema itself. I realize that in becoming great at anything in one's life, other things have to suffer, and with him it seems, at least to me, that for everything he has undoubtedly accomplished in the filmic realm, it's created a type of 'idiot savant' (it's simply an existing term--I certainly don't mean it pejoratively)--that is, in social skills, at least pertaining to self-marketing, or getting across one's persona in the field, he is lacking--and it negatively impacts his cinema. And that's a dirty rotten shame, because this was a fine film. He and his excellent approach to cinema remind me of the Heisenberg principle and make me: a) wish Lee could find more happiness in his life, so that he can come across better, and thus have his personality not negatively influence cinephiles like me; and b) wonder, like in 'A Beautiful Mind', if he was happier and more pleasant, if it would negatively impact his filmmaking? Philosophical questions such as this tend to keep me up at night, unless I have some red wine, milk or chamomile tea to wear me out and soothe me. 'Clockers' worked for me. Keitel was really on a roll when he worked in this, with 'Bad Lieutenant', 'Reservoir Dogs', 'Pulp Fiction' and 'Smoke' all around this time. It was certainly a great vintage for him, and a fine time to sample his acting.
Thought this movie would've been better. Pretty boring not much action or anything to keep you interested.
Beoordeling
6.7
Votes
368
Popularity
5
Foto's
Stills en key art van de film
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