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Drama

Coyote Ugly

2000 PG-13 1h 40m 6.3 (2K)
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Met
Piper Perabo Maria Bello Bridget Moynahan Tyra Banks Izabella Miko

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Regisseur
David McNally
Schrijvers
Gina Wendkos
Sterren
Piper Perabo, Maria Bello, Bridget Moynahan
Genre
Drama, Romance, Comedy, Music

Verhaal

De jonge Violet Sanford hoopt in New York een muziekcarrière te starten. Ze wil haar kansen wagen als tekstschrijfster. Het leven in de grootstad blijkt echter een heel stuk zwaarder te zijn dan ze ooit had kunnen vermoeden. Zonder job kan ze de eindjes niet langer aan elkaar knopen. Wanneer ze hoort dat er in de bar 'Coyote Ugly' iemand gezocht wordt, probeert ze de eigenaar te overtuigen van haar capaciteiten. Wanneer ze 's avonds de bar binnenwandelt, staat de hele tent op zijn kop. Luide muziek weergalmt en de opgehitste mannen schreeuwen de diensters toe. Waar is Violet terechtgekomen? Kan zij zich redden tussen de andere vrouwen? En hoe zit het met haar muzikale carrière?

Tagline
Tonight, they're calling the shots.
Genre
Drama, Romance, Comedy, Music
Beoordeling
PG-13
Studio's
Touchstone Pictures, Jerry Bruckheimer Films
Uitgebracht
2000
Talen
Engels

Trefwoorden

Cast

Reviews

3 recensies
r96sk

r96sk

16 jan. 2025 · via TMDb

8.0

<em>'Coyote Ugly'</em> is solid cheese and I'm here for it. There's nothing all that noteworthy to say about this, you'll either enjoy it or you won't; I doubt there's much middle ground. For me, it works. It's well paced and well acted, the music is well chosen too - s/o LeAnn Rimes. I'm pretty sure I've seen this before when I was younger, so long ago that I hadn't had it logged on here. I can't say I totally remembered it whilst watching, though many of the scenes did feel familiar and I recalled the main cast. Speaking of which, Piper Perabo is good as lead. Maria Bello, John Goodman and Adam Garcia are also solid. Just discovered that this has the same director as Kangaroo Jack. David McNally really made these two classics and ducked out of the industry, what a rockstar.

FilipeManuelNeto

FilipeManuelNeto

8 nov. 2023 · via TMDb

3.0

**An excuse to make a film full of women swaying seductively without a hint of softcore.** What can we say about a romantic film, with light touches of comedy, that spends most of its time showing us very attractive women in tight, short clothes, and bouncing around sensually in an atmosphere of mockery and debauchery worthy of a university graduation party? A lot of things. What leaves us no doubt? It is a film made with an openly and openly heterosexual audience in mind. Released in 2000, I don't know if the film would be possible today without being immediately accused of sexism and giving a stereotypical and sexualized image of women. Let's start by talking about the good things. One of them, perhaps the best, is the extraordinary soundtrack, which compiles excellent songs into one of the best non-original soundtracks of the decade: “The Right Kind of Wrong” and “Can't Fight the Moonlight” are so good that the entire we know them. The music is so important here that, in a sense, it is more of a music video than a film: the protagonist is an aspiring songwriter who tries to make it in the music market without much success, but who discovers that she sings well and becomes one of the main attractions. of a nightclub. The scenarios are convincing enough for us to believe them, especially if it is known that there really is a bar of this type in New York (in fact, it seems that others in the same franchise have already opened). Even so, there is so much exaggeration at parties that it is, in my eyes, difficult to believe in a certified and legal commercial space. Minimally decent editing, but sometimes lax, and cinematography that relies too heavily on red tones complete, on a less positive note, the more technical aspects of this film. In addition to the good songs, we have the beauty of the cast, with young and slender actresses, who make up for their inexperience with fantastic bodies and good dancing skills: Piper Perabo, Maria Bello, Tyra Banks, Izabella Miko, Bridget Moynahan and Adam Garcia. It's a shame that physical beauty doesn't translate into talent: as the cast wasn't chosen based on the actors' abilities, none of them offer an inspired performance. They are a bunch of complete scoundrels and the film, at this point, is very weak. In the interest of justice, it is imperative to save the renowned John Goodman, the only good actor here, who shows us what it is like to act in a character full of grace and quite comical. All of these, however, are mere stumbling blocks on the long road of a production that could, even so, be frankly good if it told us a good story. It is in the script and the story told that the film falls to the ground like an aspiring model who breaks both heels while parading. When watching the film, I asked myself over and over again where the hell the script was, because all that, that whole trip to the city, to a future in show business, is so absolutely cliché and has already been repeated so much that it is unacceptable. There is no substance. Then, all that sugary romance, without any chemistry, without any logic... it's too stupid, with stupid and unacceptably poorly written dialogues.

ZOZEO

ZOZEO

1 jan. 2025 · via TMDb

COYOTE UGLY IS AWESOME

Beoordeling

6.3

Votes

2K

Popularity

10

Foto's

Stills en key art van de film

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