La Strada
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- Regisseur
- Federico Fellini
- Schrijvers
- Federico Fellini, Tullio Pinelli
- Sterren
- Giulietta Masina, Anthony Quinn, Richard Basehart
- Genre
- Drama
Verhaal
Gelsomina wordt door haar arme moeder verkocht aan de ruwe boeienkoning Zampanò. Terwijl die op jaarmarkten en kermissen zijn krachttoeren verricht, moet Gelsomina op de trommel roffelen, meespelen in komisch bedoelde sketches en met de pet rondgaan.
- Tagline
- Filmed in Italy - where it happened!
- Genre
- Drama
- Studio's
- Ponti-De Laurentiis Cinematografica
- Uitgebracht
- 1954
- Talen
- Italiaans
- Landen
- Italy
Op het web
Giulietta Masina
Gelsomina
Anthony Quinn
Zampanò
Richard Basehart
Matto
Aldo Silvani
Mr. Giraffa
Marcella Rovere
Widow
Livia Venturini
Nun
Pietro Ceccarelli
Innkeeper (uncredited)
Giovanna Galli
Prostitute at Inn (uncredited)
Gustavo Giorgi
(uncredited)
Yami Kamadeva
Prostitute (uncredited)
Mario Passante
Waiter (uncredited)
Anna Primula
Gelsomina's Mother (uncredited)
Alexandre Trannoy
Juggler (uncredited)
Goffredo Unger
Man Restraining Zampano (uncredited)
Nazzareno Zamperla
Man Restraining Zampano (uncredited)
Arnoldo Foà
Zampanò (voice) (uncredited)
Reviews
1 recensieAnthony Quinn is nigh on perfect for the "Zampanò" role here. He is a travelling strongman who buys "Gelsomina" (Giulietta Masina) from her mother for a pretty paltry sum and some food. She's none-too-pleased with her new, nomadic, life and he is not exactly the ideal companion. In fact, he's a bit of a thug! She's no shrinking violet, though, and after some failed attempts at escape, determines that this is her new life and that she is going to make the best of things. Might she even end up enjoying this life? Enter the nimble and agile tight-rope walker rather unkindly referred to as "The Fool" (Richard Basehart) whom she befriends, and he starts to open her eyes to another, hitherto unconsidered, possibility about the bullish "Zampanò" and the rationale behind his behaviour towards her. Fellini really does know how to let his stars shine here, and the photography - especially of the visually expressive and engaging Masina works really well with this simple but never straightforward drama. She presents us with a portrayal of a woman of character and as the plot thickens, the delivery of her relationship with the very much on-form Quinn becomes quite compelling to watch. Set amidst the debris of post-war Italy it also reminds us of just how society was struggling to get back onto it's feet, and to move on - even if the largely rural communities featured here had little, if any, prospects of seeing any improvements. The circus isn't a way to riches and comfort - it's rudimentary entertainment for a population that needs momentary distraction and it must travel continuously just to keep the proverbial wolf from it's door. That relentlessness provides us with the potent vehicle for an interesting character study that contrasts the strength and brutishness of one with the subtlety of the others and it looks great too.
Beoordeling
7.9
Votes
1K
Popularity
4
Foto's
Stills en key art van de film
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