Phantom Thread
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- Regisseur
- Paul Thomas Anderson
- Schrijvers
- Paul Thomas Anderson
- Sterren
- Daniel Day-Lewis, Vicky Krieps, Lesley Manville
- Genre
- Drama, Romance
Verhaal
In het naoorlogse Londen bevinden zich een fameuze kleermaker, Reynolds Woodcock genaamd, en zijn zus in het centrum van de Britse mode-industrie. Ze maken daar kleding voor koninklijke families en edellieden. Vrouwen betreden het leven van de alleenstaande kleermaker, bieden hem inspiratie en gezelschap, maar vertrekken vervolgens weer.
- Genre
- Drama, Romance
- Beoordeling
- R
- Studio's
- Focus Features, Annapurna Pictures, Perfect World Pictures, JoAnne Sellar Productions
- Uitgebracht
- 2017
- Talen
- Engels
- Landen
- United States of America· China
- Officiële site
- Bezoek
Daniel Day-Lewis
Reynolds Woodcock
Vicky Krieps
Alma Elson
Lesley Manville
Cyril Woodcock
Camilla Rutherford
Johanna
Gina McKee
Countess Henrietta Harding
Brian Gleeson
Dr. Robert Hardy
Harriet Sansom Harris
Barbara Rose
Lujza Richter
Princess Mona Braganza
Julia Davis
Lady Baltimore
Julie Vollono
London Housekeeper
Sue Clark
Biddy
Joan Brown
Nana
Harriet Leitch
Pippa
Dinah Nicholson
Elsa
Julie Duck
Irma
Maryanne Frost
Winn
Elli Banks
Elli
Amy Cunningham
Mabel
Amber Brabant
Amber
Geneva Corlett
Geneva
Reviews
4 recensiesDaniel Day-Lewis, Lesley Manville and Vicky Krieps combine to deliver a work of great style and delicacy in this story about a London couturier to the rich and famous. "Reynolds Woodcock" lives with his sister "Cyril" in the disciplined and controlled environment he demands in order to be able to do his work as the leading creative dressmaker of his time. Enter "Alma" an aspiring, awe-struck apprentice with whom he falls in love - despite his own controlling instincts. The story evolves with purpose and depth; this isn't a straightforward love story by any means. Jonny Greenwood's score is brilliantly complementary to the gentle but dynamic pace of the narrative and, of course, it's great to look at too.
Probably the best, least biased documentary criticism of Jordan Peterson made thus far
I saw _Phantom Thread_ as part of a trio. We began watching this Oscar nominated movie at staggered intervals. I, from the beginning. The second, a half hour in. Then her partner, just past the half-way point. But all of us came to the same reaction when we'd been watching for what seemed like days only to realise there was still 30 minutes left: Lying on the cold, dirty floor, begging for it to end. Prepare for the most heterosexual thing I have ever said: We had to watch YouTube clips of Arnold Schwarzenegger movie-kills and then the whole original _Robocop_ as a palette cleanser after being forced to endure _Phantom Thread_. That's not hyperbole either, it felt genuinely necessary so that's what we did. I fear that we live in the world where something this pretentious is considered one of the best movies of the year. _Final rating:★ - Of no value. Avoid at all costs._
The Movie Waffler
14 feb. 2018 · via TMDb
Should you decide to visit your local cinema to take in a showing of Phantom Thread, Paul Thomas Anderson's latest offbeat character study, you might want to make a bit more effort with your wardrobe than you're accustomed to for such outings. After spending 130 minutes totally immersed in the world of 1950s high fashion, I felt like an utter rube walking out of the cinema in my jeans and hoody combo. Phantom Thread is as immersive as cinema gets. From its opening sequence, which takes us inside the House of Woodcock, a London fashion house run in quietly tyrannical fashion by renowned dressmaker Reynolds Woodcock (Daniel Day Lewis), Anderson's film dismisses any thoughts we might have of our own world of 2018. As we witness Reynolds go about his daily grooming routine it becomes clear we're watching a movie about a perfectionist, one made by a perfectionist, and starring a perfectionist in what is reputedly his final acting role. Set in his ways like a tree set in concrete, Reynolds knows what he likes, and he likes what he knows. As such, his relationships with the many admiring members of the opposite sex (the film is set at a time when no man was more attractive than one who made things; and if those things happened to make women feel beautiful, like Reynolds' gowns, all the better) rarely get past the following morning's breakfast, where idle chit chat and toast buttering irritate him to a laughably over the top degree. It's during breakfast away from home, in a small country café, that Reynolds meets Alma (Vicky Krieps), a pretty Eastern European waitress who is won over by his flirtatious charm and accepts his invitation for a dinner date. The relationship blooms quickly and Reynolds invites her into his home, teaching her the ways of his trade. It doesn't take long for Alma's ways to begin annoying the fiercely independent and somewhat narcissistic Reynolds, and her presence begins to disrupt his work - she's become an anti-muse! Reynolds' assumption that she will follow the other women in his past and leave quietly once exposed to his spoilt brat boorishness couldn't be more wrong however. Alma is determined to make the relationship work, even if she has to take extreme measures. Read the rest of Eric Hillis's review at http://www.themoviewaffler.com/2018/01/new-release-review-phantom-thread.html
Beoordeling
7.3
Votes
4K
Popularity
8
Foto's
Stills en key art van de film
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