Weiner
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- Regisseur
- Josh Kriegman, Elyse Steinberg
- Sterren
- Anthony Weiner, Huma Abedin, Amit Bagga
- Genre
- Documentary
Verhaal
De Amerikaanse politicus Anthony Weiner kwam in 2011 in opspraak vanwege sexting - het leidde tot zijn aftreden als congreslid. Twee jaar later maakt hij een onverwachte politieke comeback door zich te mengen in de race om het burgemeesterschap van New York.
- Genre
- Documentary
- Studio's
- Motto Pictures, Edgeline Films
- Uitgebracht
- 2016
- Talen
- Engels
- Landen
- United States of America
Trefwoorden
Anthony Weiner
Self
Huma Abedin
Self
Amit Bagga
Self - Senior Advisor
Adam S. Barta
Self
Sydney Leathers
Self
Jordan Zain Weiner
Self
Camille Joseph
Self - Campaign Manager
Barbara Morgan
Self - Communications Director
Andrew Noh
Self - Campaign Aide
Maura Tracy
Self - Senior Staffer
J. Buzz Von Ornsteiner
Self
Reviews
2 recensiesIt's just wild to me that the Weiners let the filmmakers create this film.
screenzealots
30 jul. 2016 · via TMDb
A SCREEN ZEALOTS REVIEW www.screenzealots.com Chances are, you already know how the story of disgraced former New York congressman Anthony Weiner plays out. You may think “Weiner,” a documentary about the man’s unsuccessful New York City mayoral run, will just be a series of ‘been there, done that’ storytelling. I had the same trepidation going into the screening for this film but instead left the theater having viewed a riveting, engrossing, expertly crafted documentary. Some viewers may find this film exploitative, focusing too much on Weiner’s personal life that is, quite frankly, none of our damn business. Political junkies (like myself) will delight in this compelling behind-the-scenes peek at the inner workings of a campaign in crisis mode. Watching public relations tactics changing from offensive to defensive is absolutely fascinating, and this timely documentary also tackles the media’s rabid obsession with scandal (and reveals the true power of their public influence when it comes to electing our governing officials). “Weiner” digs deep in its look at the professional and emotional damage that a political scandal can inflict. Directed by Josh Kriegman and Elyse Steinberg, the film obviously started out as a celebratory highlight reel to feature the delight of a disgraced candidate’s comeback. Early scenes in the film are cheerful, filled with boisterous scenes of neighborhood campaigning and percolating with a general ‘yes we can‘ atmosphere. All of this suddenly comes crashing down as we watch, on film, the breakdown of a candidate’s dreams, ideals, and a huge chunk of his personal life. Weiner is married to Hillary Clinton’s long-time right hand woman, Huma Abedin. Huma is one smart, strong and tough woman, but it’s seriously sad to watch a marriage nearing collapse under the weight of a sexting scandal. Whether intentional or not, this film heavily implies spousal emotional abuse. There are many instances where the camera captures a teary-eyed Abedin with her head hung low, crossing her arms and sadly staring off into space. I have much respect for the family for allowing the camera to hang around, even during some uncomfortably tense and very embarrassing personal moments. Most viewers will know that Weiner (aka ‘Carlos Danger’) is a trainwreck when it comes to his personal life and most know the outcome of the race for mayor, but this film is still completely mesmerizing. The man’s a political survivor, driven with a sincere desire to work hard to make his city great. His policies and beliefs all make sense — so why can’t this guy keep his stuff together and quit sending naughty photos and inappropriate texts? The most compelling scene in the entire film is when he’s asked on camera if he thinks he “has a problem.” Weiner’s candid response is as weighty as it is revealing. The smart ‘show don’t tell’ angle of this film makes it a winner. While it doesn’t quite reach the heights of my personal ‘Hall of Fame’ docs like “Man On Wire,” “Grizzly Man” or “The Act of Killing,” the film is clear, concise, well edited, and a prime example of what all documentaries should aspire to be. **A SCREEN ZEALOTS REVIEW www.screenzealots.com**
Beoordeling
7.3
Votes
195
Popularity
0
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